The legend of Doctor Faust, one of the most compelling in Western culture, is based on an actual person, Johann Georg Faust (d. 1540). Adaptations of his story began in the 16th century and have continued to the present day in novels, plays, operas, ballets, films, comics, and even Anime.
Early settings such as Marlowe’s Doctor Faustus interpreted the story as a tale of Christian morality. In the 19th century, after the 1808 publication of Goethe’s Faust, Part I, European composers created new views of the legend. Settings of Goethe’s text predominated, but it was not the only source. Composers who set excerpts from Goethe’s poem to music include Schubert, Beethoven, and Mussorgsky. Other works based on the Faust legend include oratorios by Schumann and Berlioz; operas by Gounod, Boito, Busoni, and Brian; symphonies by Liszt and Mahler; concert pieces by Wagner and others, a reinterpretation of the story by Stravinsky, and the Broadway musical Damn Yankees. This seminar explores the various views of the legend ranging from settings of Goethe’s text to adaptations for musical genres, and how they reflect the times in which they were written.
Note: You do NOT have to read Goethe’s Faust to enjoy this seminar.